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In the shadow of that loss, Kevin Costner’s current chapter feels deeply symbolic. His decision to go all-in on Horizon is more than a financial risk; it is an emotional and philosophical stand. Costner is reportedly investing tens of millions of his own dollars into the Western saga, betting not just on audience appetite but on his own instincts as a storyteller. At the same time, his divorce unfolds publicly, exposing personal fractures in a way that only amplifies the stakes. Property, reputation, and decades of hard-earned credibility are now intertwined with a project that refuses to be small or safe.
To some observers, the timing seems brutal—almost reckless. Yet to those who understood Meyer, there is something profoundly fitting about it. Meyer believed in courage. He believed that careers stagnate when fear dictates decisions. He encouraged his clients to pursue projects that mattered to them, even when the numbers suggested caution. Horizon—a sprawling Western rooted in American myth and hardship—embodies the kind of ambitious storytelling that Meyer spent a lifetime defending. It is not built for algorithms or quick streaming returns; it is built for legacy.
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