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Yet if the screen showcased his discipline, the classroom deepened it. At Juilliard School, Yulin’s influence extended far beyond individual roles. There, away from cameras and critics, he reinforced a philosophy of acting rooted in ethics as much as technique. He reminded students that performance is not self-expression alone, but an act of responsibility toward text, ensemble, and audience. Acting, he insisted, was not a shortcut to admiration. It was a lifelong engagement with human behavior—an ongoing study of vulnerability, conflict, and truth.
Former students often recall his exacting standards. He was not interested in flattery or shortcuts. He demanded preparation, curiosity, and humility. In his view, talent without discipline was hollow. He pushed actors to interrogate their choices, to justify every movement and inflection. He discouraged vanity and encouraged listening. Above all, he emphasized that the work mattered more than the worker. The role, the story, the shared effort—these were sacred. Personal ambition was secondary.
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