ADVERTISEMENT
Inside the locker were bundles of letters, never mailed, addressed to Silas. They were dated from 1968 to 1970, written on thin, yellowed paper. As Silas read the first few, the image of the “dark, silent” Lester began to dissolve. The letters described a man who was terrified, not of the war, but of the person he was becoming. They spoke of a traumatic event—a decision made in the heat of a jungle skirmish that had cost lives—and the crushing guilt that Lester had carried home.
But beneath the letters was something even more significant. Wrapped in a faded American flag was a collection of personal effects: dog tags that didn’t belong to Lester, a series of photographs of a Vietnamese family, and a small, hand-carved wooden bird. Lester hadn’t been protecting a tree; he had been standing guard over a makeshift memorial. The tree was the only thing “keeping him together” because it served as a living tombstone for the parts of himself he had buried in the mud of a distant land.
Silas sat on the stump of the oak, the unmailed letters scattered around him like fallen leaves. The renovation of the house no longer felt like a chore; it felt like a responsibility. He decided then that he wouldn’t sell the property. Instead, he would restore the garden and plant a new grove of trees—not as sentinels of secrets, but as a place of transparency and healing.
He took the military chest inside and placed it on the mantle. Lester was gone, but for the first time in decades, Silas felt like he actually knew his brother. The tree had been removed, but the silence it left behind was finally filled with words.