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His rise continued with St. Elmo’s Fire in 1985. Despite critical reviews, the film became a cultural touchstone, cementing his place within the so-called “Brat Pack,” alongside Rob Lowe, Demi Moore, and Emilio Estevez. Yet McCarthy always felt detached from the group’s notorious party lifestyle. He was the sensitive one, a persona fully realized with his role as Blane in 1986’s Pretty in Pink.
The Hidden Struggle: Alcoholism and Dutch Courage
Turning Point and Transformation
In 1991, at 29, McCarthy entered rehab, marking the end of his boyish image and the start of a more grounded, self-aware life. He traded Hollywood parties for introspection and rebuilding. As his teen idol status faded, he discovered a new purpose behind the camera, channeling his artistic sensibilities into directing. McCarthy went on to oversee nearly 100 hours of acclaimed television, including Orange Is the New Black, Gossip Girl, and The Blacklist. His early discomfort in front of the camera gave him empathy for actors, while his eye for storytelling allowed him to shape compelling narratives from behind the lens.
The Traveler and Family Man
McCarthy’s reinvention extended beyond Hollywood. He became a celebrated travel writer, earning recognition as Travel Journalist of the Year in 2010 and contributing to National Geographic Traveler and Men’s Journal. Travel became a medium for presence and exploration, a new narrative form mirroring the storytelling of his acting career.
On the personal front, McCarthy married his college sweetheart, Carol Schneider, in 1999; they had one son, Sam, who followed in his father’s acting footsteps. He later married Irish writer and director Dolores Rice, with whom he has two children, Willow and Rowan. Today, he leads a grounded life in New York’s West Village, a stark contrast to the chaotic nights at Chateau Marmont that characterized his early career.
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